A Note on Pricing

At my studio, I aim for transparency and integrity in regards to every aspect of my relationships with clients. Openly communicating the production process and cost of the products I provide is one way of assuring ongoing relationships built on trust and mutual respect. Transparency and professionalism are not contradictory.

The open pricing of design services is not a common practice in the creative industries. There are a number of reasons for this — not excluding fear of open competitive pricing — but the primary reason is the numerous variables that arise in the process of determining the requirements of a project and the goals of the client. Most creatives are reluctant to name a price before they hear the specific requirements of a project. This is wise. But, pricing is not alchemy or magic, and the client has the right know what to expect.

With that in mind, the pricing I provide in the following pages reflect the minimum costs of the associated products. They are a starting point for determining what a professional, premium quality design or illustration from my studio will cost you. These prices do not take into account the size or complexity of your project, the particular usage rights you might need, rush fees, the possibility of added revisions or additional requests that might arise in the process of completing a project.

Further, these prices do not include the cost for production or manufacturing.

What these prices do reflect is the reasonable minimum that any creative professional should expect in compensation for their work, and what any professional seeking premium creative services should expect to pay*. Further, some of the pricing structures do include a consideration of minimal usage fees (this is noted when they are included). It may be that the price you see here will be the actual invoiced amount, and if it will be any more than what you see here, you will know beforehand. I promise that you will never experience an unpleasant surprise when you get the bill.

If you would like a specific, written estimate for your project, please do not hesitate to contact the studio for a meeting. I am happy to discuss any questions you might have about your project, the production process, my per diem & hourly rates, and the studio’s comprehensive range of services. I look forward to meeting and getting to know you.

— Christopher

 

*Graphic Artist’s Guild Handbook of Pricing and Ethical Guidelines, 13th Edition (2010).

BRAND DESIGN FOR MICRO-BUSINESS

Premium design and art direction at an affordable rate. An introductory visual-brand package for the micro-business entrepreneur. Find out more here.

CURRENT PROJECT

Method Coffee Bar identity. Mr. Chrisope is in the process of building a premium coffee house. This is the brand mark. More to come.

TRAGEDY PATTERNS

A series of hand-rendered, repeating surface designs based on classic camouflage patterns and Shakespeare’s tragedies. These are currently available. These would look good on your club wall. Contact me about alternative colour-ways and licensing. More to come.

DA’ BASEMENT JAZZ ID & CARDS

Custom typeface design.

BAY 3 RECORDING STUDIO

EYE SAW YOU

BILL LASWELL

Self-inititiated project. Graphite, ink and digital colouring.

GIL EVANS

Self-initiated project. Graphite, ink and digital colouring.

YSL

Self-initiated project. Graphite, ink and digital colouring.

2005 PUBLIC TRANSPORTATION CONFERENCE

HAVEL CAKES

SPARKIE’S COFFEE

REDPHONE IDENTITY

Custom lettering.

TRANSPORTATION POSTERS

M65

Self-initiated project. Ink, acrylics & digital finishing. Ode to the M65.

OCD BRAND-MARK

Brand-mark for the Office of Cosmopolitan Design, a consultancy to the textile and colour manufacturing industry.

ELAN EVENTS

2007 NTPAW CONFERENCE

Conference schedule and guide with poster on the flip side. Two colours, printed on Bolloré thin paper (drapes nicely and doesn’t fight against alternative folds when a user wants to reshape the guide; environmentally friendly too).

LIONSHARE APPAREL

  

RHYTHM SKATEBOARD SHOP

APHASIC ID

ID for dub and experimental music project.

A DECADE EARLY

Brand-mark and layout grid-system for the quarterly culture and arts magazine, A Decade Early.

C2 ARCHITECTS BRAND MARK

EVENT POSTERS

         

A collection of various posters I designed for events in my hometown and abroad, from movie showings to music events.

CUMULATIVE IMPACT ANALYSIS

Environmental consultancy’s handbook for clients.

INCIDENT RESPONSE TEAM

TYPEFACES

Non-licensed type designs.

BUNCH BASTARDIZED

The nice folks at Bunch included me in their cool little project. I was invited to the launch party, but was unable to make it. I hear that Keith Richards was disappointed. Next time maybe.

DIVERSITY TRAINING BOOKS